Archive for March, 2010

29
Mar
10

The Secret Formula for Writing Success

I teach a creative writing course called ‘Naked Writing – the No Frills Way to Write Your Novel’.
Okay, have you stopped chortling yet?
The name seemed a good idea at the time, trying to get over the idea that this was simply a course designed to help writers finish their own book – there’d be no analyzing the classics, here, just plain old hard work. I suggested that students put ‘Naked Writing’ in the sub line of their emails to help me quickly pick them out of the inbox.
A simple idea, you might think. But no. I got complaints from some students that their servers spotted the word ‘naked’ and automatically thought ‘spam’ and refused to send the email.
Oh, yes, censorship may well be alive and well and living in cyberland….as a reaction to THOSE kind of spam messages. You know the ones that are usually accompanied by pictures of body parts you’d rather not see on strangers unless you’d specifically asked to, right?
Of course, for writers, everything is grist to the writing mill and when I thought about it….sometimes we can be a little like that – so determined to ‘do it right’ that we lack the flexibility to see and explore the worth of new ideas and opportunities. So often I’ve heard people talk about ‘the formula’ for writing a novel, a biography, a text book, a romance, a best seller…..as if there is some secret recipe that will guarantee writing success. There is a sort of one, actually – but not the one that these people are looking for.
In fact, it seems to me that there are several secrets to being successful as a writer and getting published.
 1) Believe in yourself and don’t give up. Writing can be disheartening at times – you sacrifice time you could be doing other things in order to write. And it’s hard, and sometimes it seems there are only rejections and you think maybe it will never get better.
2) Write the book of your heart, let your passion for the story shine through. Forget the idea of a ‘formula’ and write the book you’d want to read, the book that tells a story that you need to tell.
3) Realize that a good writer is in a constant state of ‘becoming’ rather than ‘being’ – writers should always be honing their craft, learning and growing, so they are constantly becoming a better writer rather than merely being a good writer
4) Be prepared to put yourself out there. I think there are probably many wonderful books that their creators have consigned to a box under the bed for fear of rejection, or fear or what other people might say or think. You have to believe in yourself and in the story you want to tell.
What someone else thinks – be it a relative, a friend, your boss, an agent, publisher, editor – or even your creative writing teacher – counts only so far as you can see a way to use their comments to make the book better in your own eyes.
5) Do the work.This is the biggy. No-one ever became a successful writer by talking about the book they’re ‘gonna write someday’. Get the words on paper, learn to edit and polish, send your work out and learn from the critiques you receive from editors and agents. Then, when you’re published, be prepared to promote, promote, promote….no matter how difficult you find this, or how shy you might be.
Like I’ll be doing when I’m standing all alone in Chapters, hoping that some compassionate souls will stop and chat about my book, about writing, about the weather – anything so that I won’t feel like a fool standing there with my pile of novels waiting to be bought and signed, and a silly grin on my face.
Maybe you can add some thoughts of your own to what makes a successful book?

Glenys O’Connell’s next novel, a romantic comedy entitled Marrying Money, will be released as an ebook by Red Rose Publishing (www.redrosepublishing.com) on April 8th!

17
Mar
10

The Demise of the Dramatis Personae?

Until recently, my genre of choice for pleasure reading was fantasy.

The typical fantasy series has such a wide range of characters and settings that it often includes a dramatis personae, a listing of characters and their relationships. They often also list common places in the fantasy world to help readers keep it all straight. An example is the Sun Sword series by Michelle West. Spanning years and introducing an extremely complex world with castes and allegiances that sometimes changed from book to book, it included a comprehensive glossary of people and places that I used frequently during the six years that I read the series.

Earlier this month, a friend and I were discussing Rachel Vincent’s most recent installment in her Shifters series, Shift. I had finished the book, but my friend was struggling to reacquaint herself with the cast of characters. Vincent did a good job of providing small details to jog the reader’s memory when mentioning a character, but it wasn’t enough for my friend.

I know that Vincent must have a character rundown that helps her keep her characters straight, especially now that she has begun a new series, her YA Soul Screamers series.

Would you find a dramatis personae useful when you are reading the typical urban fantasy or genre-bending romance novel? If you are primarily an ebook reader, would the format affect your ability to use such a tool?

12
Mar
10

Elisa Lorello Contest Winner

Congratulations to Twitter follower @aprildawnbooks. You have won PDF copies of both Faking It and Ordinary World. Please send your email address to the.romantic.journey@gmail.com to receive your prizes!

10
Mar
10

For the Love of Research

Yes. That’s a picture of me. Fencing. No. I’m not very good.

Almost every romance writer I know loves research. It doesn’t matter what genre they’re writing in or how long they’ve been at it; discovering a long-lost tome on Victorian etiquette or finding an early reference to the existence of werewolves can stall an entire week’s worth of writing time. After all, there’s no better way to avoid writing than to spend countless hours in the field shopping at bookstores or interviewing experts over a few martinis. After all, it’s research! It’s work! Don’t try to tell me otherwise, because I won’t listen!

I write historicals, so most of my research comes from books and online. Sure, I could line up a trip to England to see some of the sites for myself, but I haven’t been able to justify that one. Yet.

So when a friend asked if my husband and I would be interested in a fencing class, I literally jumped at the chance. Although none of my characters have fenced so far, it is an issue that comes into play from time to time, and I thought it would be a great way to immerse myself in some of the activities of my favorite eras.

Fast forward a few weeks, and you have me at the first lesson, knees bent at odd angles and creaking like old doors, my arm exhausted from holding a piddly three-pound sword straight ahead for a few minutes. Because here’s what those dandified, sword-wielding heroes dueling over a lady’s honor never let on: fencing is HARD. You are forced to maintain a rigid form at all times, all while parrying back and forth with a twelve-year-old boy boasting boundless energy and limber limbs. Add those dark masks, the heavy long-sleeved outfit, and a plastic breastplate of armor like this one, and it’s HOT, too.

Note: Only women have to wear the breastplate. Not, as it would seem, to actually protect the breasts, because the points don’t hurt at all. Really, it’s just so the men don’t hesitate to lunge at you with everything they’ve got. That’s my theory, anyway.

Of course, fencing is really fun, too. The ringing clang of the foils, the swift movement of the feet as you advance and retreat, and the gentlemanly salutes before and after each match transport you immediately to another time, when fencing wasn’t just an Olympic sport but a way to determine a man’s worth. Terms like right-of-way (you want it), disengage (it’s harder than it looks), and beat attacks (the only move I can actually do) are just as relevant now as they were two hundred years ago.

Although fencing as a modern sport isn’t quite the same as a first-blood match over a lady’s honor, it really does have a way of setting the tone. And I’m fairly certain my next novel will have at least one fencer in it; most likely someone doing it for the first time and sweating buckets, wondering how all those young, dashing blades make themselves look so darn graceful.

08
Mar
10

the middle of the book. oh, yeah.

I have a new release out this week, which is really awesome :)

It’s SHADOWGLASS, book 2 in my Shadowfae Chronicles series. Check the cover. Isn’t it preeetty? You can read a blurb and excerpt at my website.

I’m also 50K into my work-in-progress. About halfway.

Yeah. It’s that time again. Y’all know what I’m talking about. “Eww. This has got to be the worst book EVER. How did I ever believe this was a good idea? What was I thinking? Maybe I’ll just bin the whole thing and start again. Better still, bin the whole thing and DON’T start again. Ever. Because, you know. I suck.”

It’s not good for motivation. Every word I write seems dull or awkward or just plain stupid. My characters seem false and idiotic. The plot I’ve dumped them in seems like a tangled mess.

Of course, none of this is real. I’m just caught in that crazy netherworld called the Middle of the Book.

So I just keep writing. I say to myself, ‘Self, get a grip. This wasn’t a terrible idea when you outlined it two months ago. If it was a terrible idea, your editor wouldn’t have approved it. So it can’t possibly be a terrible idea now. And no, you haven’t forgotten how to write a sentence that sparks, and your vocab hasn’t mysteriously dissolved overnight.

You’re just lazy, self. Lazy and tired, true, but who’s ever not tired? So just stick to the outline — which is GOOD, by the way, same as it was two months ago, so don’t give me any rubbish about restructuring — just harden up and get on with it.”

Yep, I don’t get much sympathy around here :)

But it’s times like these when I’m especially glad that I outline my books. Without that to fall back on, digging through the Dreaded Middle would be even more difficult.

So, writers, tell me: how do you cope when you get the yips in the middle? Push on? Have a few days off? Think about another project for a while?

03
Mar
10

Always a Bridesmaid…

If you’ve been on the submission’s train long enough, you’ve probably developed the bridesmaid syndrome. You know what I mean – - the close, but not yet. If I were a Regency writer, I’d compare it to being the debutante who received tons of callers but went home without a marriage proposal at the end of the Season. There are days I feel like Jane in 27 Dresses — standing next to the altar, but never the main attraction.

I’ve queried three novels so far. All three of them have garnered requests for fulls from agents. Two of them have won contests. In other words, I know I’m doing something right. Then the rejection comes. Most of the rejections involve the line “not for NY”, but I’ve had a couple of recent ones pointing out my flaws. Sometimes you need someone to point out that you need to invest in some Spanx to get rid of the saddlebags if you wear tight dresses. The good news from all these rejections is that they usually end with an invite to send something else, which I understand is a “good thing”. But I’m still left alone at the reception in bad dress  sipping on a watermelon margarita.

Sometimes it’s easy to give up on Mr. Perfect and hook up with one of the groomsmen just to get it out of your system. It’s always a gamble. I’ve seen frustrated writers self-publish (through LuLu, for example), which I would compare hooking up with a lazy guy that makes you do all the work in the relationship, but sometimes you come out on top. Others sign up with vanity publishers (like Publish America or DellArte – STAY AWAY!), which is like getting involved with a mooch who takes your money and gives you nothing. Then there are others that publish with an e-pub or small press, which I would compare to going after the shy, quiet type. You won’t have the big bells and whistles in that relationship (say compared to a NY pub), but it can very satisfying, and you might just find a diamond hidden under the shy exterior.

My 2 most recent rejections were tempered by 2 requests, so I’m still out there on the agent hunt, but I’m definitely thinking e-pubs may be the way to go for now, at least with what I have out there. Of course, I’d first need to strike up a conversation with my editor to see if she’d be interested in my novels.

What are you thoughts about the “bridesmaid” situation? Have you been there? What keeps you motivated to keep sending queries out? Any success stories you’d like to share?

02
Mar
10

Author Branding

First off, I apologize for being a day late in posting, but I’m going to blame it on preparing to move. My brain is MIA!

I recently took a workshop on author branding with Theresa Meyers. What a great workshop! Time was that you wrote a book, had someone look it over for you, and you packed it in a box and mailed it off. If you got lucky and became a big-name author, you got to go on book tours and actually meet some of your readers. Your brand developed out of what you published.

Now, when you send off that manuscript, you need to already know what your brand is and how you propose to push it. Deb Werksman of Sourcebooks discussed branding on her blog and what she expected in a book submission:

“I’m looking for:
• a heroine the reader can relate to
• a hero she can fall in love with
• a world gets created
• a hook I can sell with in 2-3 sentences
• author career arc (OR, AUTHOR BRAND potential!!!!!!! Thank you Theresa!)”

Now that you’ve written your book, do you know what your brand is? Theresa’s article linked above can help you get going. You start by looking at the authors you love. What three things come to mind when you think of those authors?

What three things do you want people to think of when they see your name?

Theresa goes on to work those three things into your brand and your tagline. I really recommend taking her workshop if you can. She will take you beyond what you think you’re telling people as you write, to the theme that follows you no matter what genre you pursue. Many of the top authors write in multiple sub-genres, yet you know what to expect no matter which book you pick up.

When you find that part of yourself and your writing, you can focus much better on your career. (You are planning on this being a career, right?) Those of us with scattered thoughts and story ideas can look at the stories and ask, does this fit my brand? If not, can I tweak it to fit? Or should I move onto the next idea?

Finding my own brand was somewhat easy at first. What confused me was the books I have published are contemporary erotic romance, and my heart is paranormal. I’m a product of the Twilight Zone era, reality not quite as we know it. Some odd shift taking place that forces us to believe in something we’ve never experienced, be it ghosts, time travel, parallel worlds or shape shifters.

I couldn’t see how that fit contemporary romance. The one word that appears so often in my paranormal romance is Believe. I needed to ask myself what my contemporary characters were confronted with that forced them to believe in something beyond their realities.

Then came the aha moment! If you’ve been told you’re a failure, believing you are capable can be just as difficult as believing in ghosts. When your track record shows you that men don’t stick around when the going gets tough, that becomes your reality. To you, happily ever after is the stuff of fiction.

My theme carries through everything I write, whether I’m aware of it or not. Ride along with my stories and I’ll allow you to believe in something intangible, be it love, werewolves or reincarnation. I’m not asking for a leap of faith, just the first step of opening your mind to something you might not have experienced before.

Believe in love. Believe in yourself. Believe your happily ever after is out there, along with your spot on the NYT Bestseller List.

I believe author branding can help you define yourself as a writer. Take that step and discover who you are as a writer. I think you might be pleasantly surprised.




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